This book is the first full-length study of Byron's influence on
Victorian writers, concentrating on Carlyle, Emily Bronte,
Tennyson, Bulwer Lytton, Disraeli, and Wilde. It has two emphases,
theoretical and literary-historical. Its theoretical project is to
revise earlier understanding of literary influence through a
demonstration of the ways that institutions of cultural production
mediate the access that later writers have to earlier ones. Its
literary-historical project is to suggest the many different
responses that Victorian writers had to Byron and to his celebrity
in British culture. It argues that defining oneself against Byron
became a ritual of the Victorian authorial career. Victorian
writers did not reject Byron outright: instead, they defined
themselves through fictions of personal development away from
values associated with Byron towards those associated with
themselves as mature Victorian writers.
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