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Yellow Music - Media Culture and Colonial Modernity in the Chinese Jazz Age (Paperback)
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Yellow Music - Media Culture and Colonial Modernity in the Chinese Jazz Age (Paperback)
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"Yellow Music" is the first history of the emergence of Chinese
popular music and urban media culture in early-twentieth-century
China. Andrew F. Jones focuses on the affinities between "yellow"
or "pornographic" music--as critics derisively referred to the
"decadent" fusion of American jazz, Hollywood film music, and
Chinese folk forms--and the anticolonial mass music that challenged
its commercial and ideological dominance. Jones radically revises
previous understandings of race, politics, popular culture, and
technology in the making of modern Chinese culture.
The personal and professional histories of three musicians are
central to Jones's discussions of shifting gender roles, class
inequality, the politics of national salvation, and emerging media
technologies: the American jazz musician Buck Clayton; Li Jinhui,
the creator of "yellow music"; and leftist Nie Er, a former student
of Li's whose musical idiom grew out of virulent opposition to this
Sinified jazz. As he analyzes global media cultures in the
postcolonial world, Jones avoids the parochialism of media studies
in the West. He teaches us to hear not only the American influence
on Chinese popular music but the Chinese influence on American
music as well; in so doing, he illuminates the ways in which both
cultures were implicated in the unfolding of colonial modernity in
the twentieth century.
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