This book offers a novel interpretation of politics and identity
in Ovid's epic poem of transformations, the "Metamorphoses."
Reexamining the emphatically fictional character of the poem,
"Playing Gods" argues that Ovid uses the problem of fiction in the
text to redefine the power of poetry in Augustan Rome. The book
also provides the fullest account yet of how the poem relates to
the range of cultural phenomena that defined and projected Augustan
authority, including spectacle, theater, and the visual arts.
Andrew Feldherr argues that a key to the political as well as
literary power of the "Metamorphoses" is the way it manipulates its
readers' awareness that its stories cannot possibly be true. By
continually juxtaposing the imaginary and the real, Ovid shows how
a poem made up of fictions can and cannot acquire the authority and
presence of other discursive forms. One important way that the poem
does this is through narratives that create a "double vision" by
casting characters as both mythical figures and enduring presences
in the physical landscapes of its readers. This narrative device
creates the kind of tensions between identification and distance
that Augustan Romans would have felt when experiencing imperial
spectacle and other contemporary cultural forms.
Full of original interpretations, "Playing Gods" constructs a
model for political readings of fiction that will be useful not
only to classicists but to literary theorists and cultural
historians in other fields.
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