In a film business increasingly transnational in its production
arrangements and global in its scope, what space is there for
culturally English filmmaking? In this groundbreaking book, Andrew
Higson demonstrates how a variety of Englishnesses have appeared on
screen since 1990, and surveys the genres and production modes that
have captured those representations. He looks at the industrial
circumstances of the film business in the UK, government film
policy and the emergence of the UK Film Council. He examines
several contemporary "English" dramas that embody the
transnationalism of contemporary cinema, from "Notting Hill" to
"The Constant Gardener." He surveys the array of contemporary
fiction that has been re-worked for the big screen, and the
pervasive -- and successful -- Jane Austen adaptation business.
Finally, he considers the period's diverse films about the English
past, including big-budget, Hollywood-led action-adventure films
about medieval heroes, intimate costume dramas of the modern past,
such as "Pride and Prejudice," and films about the very recent
past, such as "This is England."
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