Greek film director Theo Angelopoulos is one of the most
influential and widely respected filmmakers in the world today, yet
his films are still largely unknown to the American public. In the
first book in English to focus on Angelopoulos's unique cinematic
vision, Andrew Horton provides an illuminating contextual study
that attempts to demonstrate the quintessentially Greek nature of
the director's work. Horton situates the director in the context of
over 3,000 years of Greek culture and history. Somewhat like Andrei
Tarkovsky in Russia or Antonioni in Italy, Angelopoulos has used
cinema to explore the history and individual identities of his
culture. With such far-reaching influences as Greek myth, ancient
tragedy and epic, Byzantine iconography and ceremony, Greek and
Balkan history, modern Greek pop culture including bouzouki music,
shadow puppet theater, and the Greek music hall tradition,
Angelopoulos emerges as an original "thinker" with the camera, and
a distinctive director who is bound to make a lasting contribution
to the art form.
In a series of films including "The Travelling Players," "Voyage
to Cythera," "Landscape in the Mist," "The Suspended Step of the
Stork," and most recently in "Ulysses' Gaze" starring Harvey Keitel
(winner of the 1995 Cannes Film Festival Grand Prix), Angelopoulos
has developed a remarkable cinematic style, characterized by
carefully composed scenes and an enormous number of extended long
shots. In an age of ever decreasing attention spans, Angelopoulos
offers a cinema of contemplation.
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