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The Unimagined in the English Renaissance - Poetry and the Limits of Mimesis (Hardcover)
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The Unimagined in the English Renaissance - Poetry and the Limits of Mimesis (Hardcover)
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When we read poetry, we tend to believe that we are getting a
glimpse of the interior of the poet's mind-pictures from the poet's
imagination relayed through the representative power of language.
But poets themselves sometimes express doubt (usually indirectly)
that poetic language has the capability or the purpose of revealing
these images. This book examines description in Renaissance poetry,
aiming to reveal its complexity and variability, its
distinctiveness from prose description, and what it can tell us
about Renaissance ways of thinking about the visible world and the
poetic mind. Recent criticism has tended to address representation
as a product of culture; The Unimagined in the English Renaissance
argues to the contrary that attention to description as a literary
phenomenon can complicate its cultural context by recognizing the
persistent problems of genre and literary history. The book focuses
on Sidney, Spenser, Donne, and Milton, who had very different aims
as poets but shared a degree of skepticism about imagistic
representation. For these poets, description can obscure as much as
it makes visible, and can create whole categories of existence that
are outside of visibility altogether.
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