Tibetan biographers began writing Jetsun Milarepa's (1052--1135)
life story shortly after his death, initiating a literary tradition
that turned the poet and saint into a model of virtuosic Buddhist
practice throughout the Himalayan world. Andrew Quintman traces
this history and its innovations in narrative and aesthetic
representation across four centuries, culminating in a detailed
analysis of the genre's most famous example, composed in 1488 by
Tsangny?n Heruka, or the "Madman of Western Tibet." Quintman
imagines these works as a kind of physical body supplanting the
yogin's corporeal relics.
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