Over the last two decades European films have lost two-thirds of
the cinema-going audience to American films. Among the different
approaches and cost structures of the European and American
industries there is one area where the US invest significantly more
than Europe: development. This text focuses on this critical stage
of the film-making process. It is based on extensive research and
interviews with more than 70 industry practitioners. It provides
details of national and pan-European funds which are available for
film development, as well as information about training initiatives
for writers and producers. There is also a useful directory of
contacts, addresses and application procedures for public and
private funding bodies throughout Europe. This book provides
practical advice and information for any film producer, script
executive, writer or director aiming to move their projects from
the idea stage into production, and to exploit the market for their
scripts and films.
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