"Everything I do, I intend to make on a large scale . . . Size
itself has its own impact, and physically we can relate ourselves
more strongly to a big sculpture than to a small one." --Henry
Moore It was Moore's intention that these large-scale forms be
interacted with, viewed close-up, and even touched. In order that
their heft and mass be perceived in a myriad of settings, they were
most commonly placed outdoors, subject to the effects of changing
light, seasons, and terrain. Within the controlled white
environment of the gallery space, the sheer volume and mammoth
proportions of the sculptures are more keenly felt. Brimming with
latent energy, their richly textured surfaces and sensual, rippling
arcs and concavities can be seen to new effect.
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