Fourteen stories, translated from Chinese, that are as much a
reflection of the changing status of women in Chinese society in
the 20th century as of the range of their literary accomplishments
during the same period. Dividing the writers into generations -
older, middle, and younger - the editors have chosen pieces that
they consider best represent each of them. The stories by the older
generation ("Looking Back Through Women's Eyes") are mostly
accounts of the constraints that traditional Chinese society
imposed on women. Stories like "The Chinon" and "In Liu Village"
describe, respectively, a wife's anguish when her husband takes a
concubine, and the relentless demands, even cruelties, of a woman's
in-laws. As the old China was supplanted by communism and a new
dispensation in Taiwan, the middle generation ("Challenging
Boundaries and Affirming the Will") wrote stories that acknowledge
female sexuality but also detail how the new institutions have
affected women. And in this section is found the most accomplished
story here, "Chairman Mao is a Rotten Egg," by Jo-hsi Chen, the
well-known author of The Execution of Mayor Yin (1978). Responding
to a rapidly changing society, the younger generation's stories are
more experimental in style, and less specifically Chinese: married
women work, teen-agers have sexual encounters, and aging parents go
out on dates. Sometimes uneven in quality but always interesting in
content: a collection that gives a vivid and detailed picture of
women and women's evolving roles in a culture once notoriously
repressive. A useful contribution. (Kirkus Reviews)
This remarkable anthology introduces the short fiction of 14
writers, major figures in the literary movements of three
generations, who represent a range of class, ethnic, age, and
political perspectives. It is filled with "unexpected gems," writes
Scarlet Cheng in Belles Lettres, including Lin Hai-yin's story of a
woman suffering under a feudal system that dominated Old China;
Chiang Hsiao-yun's optimistic solutions to problems of the elderly
in the rapidly changing Taiwan of the 1980; and in between, a dozen
richly diverse stories of aristocrats, comrades, wices, concubines,
children, mothers, sexuality, rape, female initiation, and the
tensions between traditional and modern life. "This is not western
feminism with an Asian accent," says Bloomsbury Review, "but a
description of one culture's reality...The woman protagonists
survive both despite and because of their existence in a changing
Taiwan." This book includes biographical headnotes, an introduction
that addresses the literary movements represented, and an extensive
bibliography.
General
Imprint: |
Feminist Press at The City University of New York
|
Country of origin: |
United States |
Release date: |
February 1993 |
First published: |
1993 |
Editors: |
Ann C. Carver
• Sung-Sheng Yvonne Chang
|
Dimensions: |
220 x 142 x 19mm (L x W x T) |
Format: |
Paperback
|
Pages: |
232 |
Edition: |
New Ed |
ISBN-13: |
978-1-55861-018-7 |
Categories: |
Books
Promotions
|
LSN: |
1-55861-018-9 |
Barcode: |
9781558610187 |
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