Ann Daly ranks among the most insightful, articulate dance critics
and scholars writing today. Spanning the divide between journalism
and scholarship, this collection offers a double-sighted view of
dance in America from 1986 to the present, documenting the shift in
experimental dance from formal to social concerns, and recording
the expansion of dance studies in the academy from historical
documentation to cultural criticism.
Daly examines performance art and visual art as they relate to and
influence dance, with a look at the intersection of dance and
history. Gender is the subject of the final section of the book.
More than 80 reviews, features, essays, interviews and scholarly
articles -- including extended considerations of Pina Bausch,
Deborah Hay, Bill T. Jones and Ralph Lemon -- were originally
published in venues ranging from High Performance to The New York
Times to TDR: A Journal of Performance Studies.
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