This engaging book spans three centuries to provide the first
full account of the long and diverse history of genius in France.
Exploring a wide range of examples from literature, philosophy, and
history, as well as medicine, psychology, and journalism, Ann
Jefferson examines the ways in which the idea of genius has been
ceaselessly reflected on and redefined through its uses in these
different contexts. She traces its varying fortunes through the
madness and imposture with which genius is often associated, and
through the observations of those who determine its presence in
others.
Jefferson considers the modern beginnings of genius in
eighteenth-century aesthetics and the works of "philosophes" such
as Diderot. She then investigates the nineteenth-century notion of
national and collective genius, the self-appointed role of Romantic
poets as misunderstood geniuses, the recurrent obsession with
failed genius in the realist novels of writers like Balzac and
Zola, the contested category of female genius, and the medical
literature that viewed genius as a form of pathology. She shows how
twentieth-century views of genius narrowed through its association
with IQ and child prodigies, and she discusses the different ways
major theorists--including Sartre, Barthes, Derrida, and
Kristeva--have repudiated and subsequently revived the concept.
Rich in narrative detail, "Genius in France "brings a fresh
approach to French intellectual and cultural history, and to the
burgeoning field of genius studies.
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