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Political Allegory in Late Medieval England (Hardcover)
Loot Price: R1,758
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Political Allegory in Late Medieval England (Hardcover)
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Ann W. Astell here affords a radically new understanding of the
rhetorical nature of allegorical poetry in the late Middle Ages.
She shows that major English writers of that era--among them,
William Langland, John Gower, Geoffrey Chaucer, and the
Gawain-poet--offered in their works of fiction timely commentary on
current events and public issues. Poems previously regarded as only
vaguely political in their subject matter are seen by Astell to be
highly detailed and specific in their veiled historical references,
implied audiences, and admonitions. Astell begins by describing the
Augustinian and Boethian rhetorical principles involved in the
invention of allegory. She then compares literary and historical
treatments of key events in fourteenth- and fifteenth-century
England, finding an astonishing match of allusions and code words,
especially those deriving from puns, titles, heraldic devices, and
personal cognizances, as well as repeated proverbs, prophecies, and
exempla. Among the works she discusses are John Ball's Letters and
parts of Piers Plowman, which she presents as two examples of
allegorical literature associated with the Peasants' Revolution of
1381; Gower's allegorical representation of the Merciless
Parliament of 1388 in Confessio Amantis; and Chaucer's brilliant
literary handling of key events in the reign of Richard II. In
addition Astell argues for a precise dating of Sir Gawain and the
Green Knight between 1397 and 1399 and decodes the work as a
political allegory.
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