This open access collection deals with musical moments in
film as one of the most pivotal and compelling issues of current
film music research. Musical moments as defined by Amy Herzog occur
when a musical number inverts the normal relationship between the
image track and the soundtrack in a film in such a way that what we
see is determined by what we hear. As one potential approach, this
definition provokes a variety of perspectives to investigate the
disruptive potential of these moments and numbers as a creative
device in the production of audiovisual narratives. In this
sense, the book responds to a need for an anthology that introduces
students as well as scholars of cinema, musicology, media studies
and cultural studies more broadly, to recent discourses in film
music scholarship. The volume includes contributions by early
career researchers as well as by established experts in the fields
of musicology, film studies, media studies, and cultural studies,
promoting cross-disciplinary collaboration in film music
research.Â
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