"The Cinema Makers" investigates how cinema spectators in
southeastern and central European cities became cinema makers
through such practices as squatting in existing cinema spaces,
organizing cinema "events," writing about film, and making films
themselves. Drawing on a corpus of interviews with cinema activists
in Germany, Austria, and the former Yugoslavia, Anna Schober
compares the activities and artistic productions they staged in
cities such as Vienna, Cologne, Munich, Berlin, Hamburg, Ljubljana,
Belgrade, Novi Sad, Subotica, Zagreb, and Sarajevo. The resulting
study illuminates the differences and similarities in the
development of political culture--and cinema's role in that
development--in European countries with pluralist-democratic,
one-party socialist, and post-socialist traditions.
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