The starting point for virtually all theatre is studying the play
script, but what does this involve? "Interpreting the Play Script:
Contemplation and Analysis" argues that one type of analysis cannot
fit every play, nor does one method suit every theatre artist or
collaborative team. The first text to combine traditional and
non-traditional models, it gives students a range of tools with
which to approach different kinds of performance. Supported by
pragmatic questions, practical exercises and sources for further
reading, this book will challenge students and theatre
practitioners to engage with the play using both analysis and
contemplation. It is essential reading for anyone wanting to unlock
and more fully understand the performance potential of any play.
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