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Studio Acoustics (Paperback)
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Studio Acoustics (Paperback)
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Foreword- PART I. BASICS - 1. Introduction 2. Studio Planning 3.
Sound Insulation 4. Reverberation 5. Air-Conditioning System Noise
Limits 6. Sound-Retardant Windows and Doors 7. Instrument Isolation
for Multiple Track Recording 8. Studio Testing 9. Plumbing Noise
Control 10. Vibration Isolation 11. Suspended Acoustic Ceiling 12.
Elevators 13. Interior Decor of Studios 14. Sound Power Versus
Sound Pressure PART II. STUDIOS - 15. Control Rooms 16. ADR Studios
17. Re-Recording Studios 18. Reverberation Chambers 19. Motion
Picture and TV Stages 20. Music Recording Studios 21. Review Rooms
22. Future Sound-Recording Studios 23. Canopied Amphitheaters PART
III. ELECTROACOUSTICS - 24. Microphone Properties 25. Loudspeaker
Sensitivity 26. Electronic Light Dimmers - Index Sound recording
studios are often built like showcases, either to attract clientele
or to provide a distinctive image for the industry. They are, thus,
like people, in that no two of them are alike. Yet, all such
structures have to have certain common acoustic elements if they
are to function to the best artistic and economic advantages. The
enclosures must be sufficiently quiet, exhibit proper reverberatory
conditions (often required to be adjustable), be devoid of
parallelisms between hard surfaces, have no sound-focusing concave
surfaces, be free of vibrations from external and internal sources,
etc. It is for the purpose of providing first design principles of
sound recording studios that this book has been prepared, so that
for any given size structure, satisfactory vocal and instrumental
recording conditions can be established therein. All equations
involving physical quantities are given both in the English and the
MKS system of measurement. Also, when the description of existing
studios includes linear dimensions, their metric equivalents follow
in parenthesis, as is also done for such quantities as surface
density (mass per unit area) and sound absorption.
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