Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900 > Pre-Raphaelite art
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Nature's Truth - Photography, Painting, and Science in Victorian Britain (Hardcover)
Loot Price: R2,658
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Nature's Truth - Photography, Painting, and Science in Victorian Britain (Hardcover)
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“Truth to Nature,” a rallying cry for those artists and critics
aiming to reform art-making practices in Great Britain over the
course of the nineteenth century, bound together artists as diverse
as Pre-Raphaelite John Everett Millais, photographer P. H. Emerson,
and bohemian modernist Augustus John. In order to understand
“truth,” these artists turned to the rising disciplines of
science, which offered new insights into physical phenomena,
vision, and perception. Drawing on sources ranging from artists’
letters to scientific treatises, Nature’s Truth illuminates the
dynamic relationship between art and science throughout the
nineteenth century. Anne Helmreich reveals how these practices
became closely aligned as artists sought to maintain art’s
relevance in a world increasingly defined by scientific innovation,
technological advances, and a rapidly industrializing society.
Eventually, despite consensus between artists and critics about the
need for “truth to nature,” the British arts community sharply
contested what constituted truth and how truth to nature as an
ideal could be visually represented. By the early twentieth
century, the rallying cry could no longer hold the reform movement
together. Helmreich’s fascinating study shows, however, that this
relatively short-lived movement had a profound effect on modern
British art. An insightful examination of changing conceptions of
truth and the role of art in modern society, Nature’s Truth
reframes and recontextualizes our notions of British art.
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