Artists, architects, art historians, critics, and curators explore
the work of Donald Judd as both artist and critic in essays
spanning all of Judd's career. Donald Judd (1928-1994) is one of
the most influential American artists of the postwar era. Beginning
in the 1960s, he developed new ideas about art--in both his works
and writings--that challenged many of modernism's core tenets by
resisting the categories of painting and sculpture. Judd described
this work as specific objects. Critics labeled it minimalism.
Perhaps because Judd's own critical writings provide a discursive
framework for his work, some of the monographic essays on his work
are not widely known. This volume collects critical and scholarly
writings on Judd, examining his work as both artist and critic.
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