ERIC GILL: NUPTIALS OF GOD by ANTHONY HOYLAND
ERIC GILL (1882-1940) is one of the major erotic artists of the
20th century, and one of the key British modern artists. Gill is
still a controversial figure in art. His personal life was
notorious for its sexual relationships. Wyndham Lewis called his
work 'excellent and ribald', while influential critic Roger Fry,
one of Gill's supporters, said Gill's sculpture was 'the outcome of
a desire to express something felt in the adventure of human
life.'
For Eric Gill, eroticism was a vital part of life, and should be
openly displayed in art. He moved from nudes to Madonnas easily and
simply: sex and religion were part of the same mystery for him.
Eric Gill built eroticism into most of his depictions of people.
'Quite mad on sex', Gill wrote of Jacob Epstein, the sculptor, in
his diary (December 9, 1913). The statement might equally apply to
Gill. He thought of sex a lot, to put it mildly.
Eric Gill has become a familiar gure in British modern art and
life. He certainly looked the part of the Bohemian artist with his
little skull caps, imitation monk's habits, artist's smocks and his
penchant for bare feet and sandals (an early hippy? Yep). In his
Fabian Society, Arts and Crafts and socialist period, Gill was
described (in Blackfriars, 1941) by John Middleton Murry, a key
member of D.H. Lawrence's circle, as a 'silent gure in a shabby
mackintosh' who rolled his own cigarettes. Gill the Monk. Saint
Gill.
For Eric Gill, eroticism was a vital part of life, and should be
openly displayed in art. He moved from nudes to Madonnas easily and
simply. The problematic and erotic relation between life and art,
between the human beloved and the art object, is vividly expressed
in the way Eric Gill started working in sculpture.
By far the most common subject in Eric Gill's sculpture was
religious (and Christian): the nudes, acrobats, contortionists and
divine lovers may receive more attention in art criticism, but the
religious and Catholic sculptures are more numerous: there are
Depositions, St Sebastians, Annunciations, Cruci xions, Holy Faces,
Mary Magdalenes, angels, cruci xes, memorials, headstones,
altarpieces, many Madonna and Childs, and of course the Stations of
the Cross series.
Fully illustrated, featuring many lesser-known works by Eric
Gill, as well as the works of his contemporaries, and from the
history of erotic art.
With bibliography and notes. 232 pages. ISBN 9781861713223.
www.crmoon.com
General
Imprint: |
Crescent Moon Publishing
|
Country of origin: |
United Kingdom |
Release date: |
February 2012 |
First published: |
February 2012 |
Authors: |
Anthony Hoyland
|
Dimensions: |
234 x 156 x 14mm (L x W x T) |
Format: |
Hardcover - Laminated cover
|
Pages: |
232 |
Edition: |
5th ed. |
ISBN-13: |
978-1-86171-355-1 |
Categories: |
Books >
Arts & Architecture >
The arts: general issues >
General
Promotions
|
LSN: |
1-86171-355-X |
Barcode: |
9781861713551 |
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