In the late twentieth century, the common sense approach to
literature was deemed naive. Roland Barthes proclaimed the death of
the author, and Hillis Miller declared that all interpretation is
theoretical. In many a literature department, graduate students
spent far more time on Derrida and Foucault than on Shakespeare and
Milton. Despite this, common sense approaches to
literature--including the belief that literature represents reality
and authorial intentions matter--have resisted theory with
tenacity. As a result, argues Antoine Compagnon, theorists have
gone to extremes, boxed themselves into paradoxes, and distanced
others from their ideas. Eloquently assessing the accomplishments
and failings of literary theory, Compagnon ultimately defends the
methods and goals of a theoretical commitment tempered by the
wisdom of common sense.
While it constitutes an engaging introduction to recent
theoretical debates, the book is organized not by school of thought
but around seven central questions: literariness, the author, the
world, the reader, style, history, and value. What makes a work
literature? Does fiction imitate reality? Is the reader present in
the text? What constitutes style? Is the context in which a work is
written important to its apprehension? Are literary values
universal?
As he examines how theory has wrestled these themes, Compagnon
establishes not a simple middle-ground but a state of productive
tension between high theory and common sense. The result is a book
that will be met with both controversy and sighs of relief."
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