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Against the Avant-Garde - Pier Paolo Pasolini, Contemporary Art, and Neocapitalism (Hardcover)
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Against the Avant-Garde - Pier Paolo Pasolini, Contemporary Art, and Neocapitalism (Hardcover)
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Recognized in America chiefly for his films, Pier Paolo Pasolini
(1922-1975) in fact reinvented interdisciplinarity in post-war
Europe. Pasolini self-confessedly approached the cinematic image
through painting, and the numerous allusions to early modern
frescoes and altarpieces in his films have been extensively
documented. Far less understood, however, is Pasolini's fraught
relationship to the aesthetic experiments of his own age. In
Against the Avant-Garde, Ara H. Merjian demonstrates how Pasolini's
campaign against neocapitalist culture fueled his hostility to the
avant-garde. An atheist indebted to Catholic ritual; a
revolutionary Communist inimical to the creed of 1968; a homosexual
hostile to the project of gay liberation: Pasolini refused the
politics of identity in favor of a scandalously paradoxical
practice, one vital to any understanding of his legacy. Against the
Avant-Garde examines these paradoxes through case studies from the
1960s and 70s, concluding with a reflection on Pasolini's
far-reaching influence on post-1970s art. Merjian not only
reconsiders the multifaceted work of Italy's most prominent
post-war intellectual, but also the fraught politics of a European
neo-avant-garde grappling with a new capitalist hegemony.
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