Books > Arts & Architecture > History of art / art & design styles > 1600 to 1800 > Baroque art
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Architecture, Theater, and Fantasy - Bibiena Drawings from the Jules Fisher Collection (Paperback)
Loot Price: R398
Discovery Miles 3 980
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Architecture, Theater, and Fantasy - Bibiena Drawings from the Jules Fisher Collection (Paperback)
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Loot Price R398
Discovery Miles 3 980
Expected to ship within 12 - 17 working days
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For nearly a century, members of three generations of the Bibiena
family were the most highly sought theater designers in Europe.
Their elaborate stage designs were used for operas, festivals, and
courtly performances across Europe: from their native Italy to
cites as far afi eld as Vienna, Prague, Stockholm, St. Petersburg,
and Lisbon. Beyond these performances, the distinctive Bibiena
style survives through their remarkable drawings. Architecture,
Theater, and Fantasy marks the promised gift to the Morgan
Library& Museum of a group of Bibiena drawings from the
collection of Jules Fisher, the Tony Award-winning lighting
designer, and commemorates an exhibition of these works, the first
in the United States in over thirty years to celebrate these
talented draftsmen. These drawings demonstrate the range of the
Bibienas' output, from energetic sketches to highly finished
watercolors. With representations of imagined palace interiors and
lavish illusionistic architecture, this group of drawings
highlights the visual splendor of the Baroque stage. The catalogue
opens with Diane Kelder's introductory essay about the Bibiena
family. Laurel Peterson then discusses the Bibienas as draftsmen,
underscoring the drawings from the Fisher collection. Arnold
Aronson, in turn, explores the family's contribution to the
theater, setting them within a history of European stage design and
explaining the significance of the dynamic angled perspective of
their scena per angolo sets. John Marciari's essay considers the
Fisher gift among the many Bibiena drawings already at the Morgan,
mainly from the Oenslager collection, and looks at the collecting
of Bibiena drawings more generally. Finally, Diane Kelder's
checklist off ers information regarding the attribution and
provenance of the works in the exhibition.
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