In The Friends (1970), Esther is diagnosed with leukaemia, causing
her friends to reassess their working-class identity, their
imagined achievements as well as their own mortality. Bluey (1993)
is a play about repressed memory resurfacing and three imagined
futures that the protagonist cannot muster the courage to confront.
In Men Die Women Survive (1990) a trio of estranged wives gather
around the dinner table. As they conduct a post-mortem on their
failed relationships a tale of betrayal and revenge emerges.
Telling the story of a 44-year-old actress Gertie and her influence
on Sam, a black teenager working as a car-park attendant, Wild
Spring (1992) explores acting as a metaphor for the false images of
ourselves with which we fall in love.
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