"Sze brings together disparate realms of experience--astronomy,
botany, anthropology, Taoism-and observes their correspondences
with an exuberant attentiveness."-"The New Yorker"
"Sze's poems seem dazzled and haunted by patterns."-"The
Washington Post"
"Quipu" was a tactile recording device for the pre-literate
Inca, an assemblage of colored knots on cords. In his eighth
collection of poetry, Arthur Sze utilizes "quipu" as a unifying
metaphor, knotting and stringing luminous poems that move across
cultures and time, from elegy to ode, to create a precarious
splendor.
"Revelation never comes as a fern uncoiling
a frond in mist; it comes when I trip on a root,
slap a mosquito on my arm. We go on, but stop
when gnats lift into a cloud as we stumble into
a bunch of rose apples rotting on the ground."
Long admired for his poetic fusions of science, history, and
anthropology, in "Quipu," Sze's lines and language are taut and
mesmerizing, nouns can become verbs-"where is passion that orchids
the body?"-and what appears solid and -stable may actually be fluid
and volatile.
"A point of exhaustion can become a point of renewal:
it might happen as you observe a magpie on a branch,
or when you tug at a knot and discover that a grief
disentangles, dissolves into air. Renewal is not
possible to a calligrapher who simultaneously
draws characters with a brush in each hand;
it occurs when the tip of a brush slips yet swerves
into flame . . ."
Arthur Sze is the author of eight books of poetry and a volume
of translations. He is the recipient of an Asian American Literary
Award, a Lannan Literary Award, and fellowships from the Witter
Bynner Foundation and the National Endowment for the Arts. He
teaches at the Institute of American Indian Arts and lives in New
Mexico.
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