The five plays collected here offer a unique insight into the role
of theatre in a situation of oppression. They were produced in
close collaboration with their original black amateur casts,
drawing on their lives and everyday experiences in the townships.
They range from the early apprentice work of the brash but vital
Sophiatown plays, No-Good Friday and Nongogo, to the freer, more
urgent, and profound New Brighton plays, including the most famous
Sizwe Bansi is Dead and The Island, and the previously unavailable
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