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The Victorian Novel Dreams of the Real - Conventions and Ideology (Hardcover)
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The Victorian Novel Dreams of the Real - Conventions and Ideology (Hardcover)
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Critical discussions of the Victorian realist novel tend to focus
on its vivid representations of everyday life. The Victorian Novel
Dreams of the Real proposes that the genre is founded in desire,
moving the novels not towards a shared reality but rather toward
distinct fantasies: dreams of the real. Rather than simply redefine
Victorian realism or propose a new canon for it, The Victorian
Novel Dreams of the Real argues that the real is inevitably, for
the Victorian realist novel, an object of desire: what the novel
seeks to capture and represent. A novel's construction of the real
is therefore inseparable from its fantasy of the real-a formulation
Audrey Jaffe refers to as "realist fantasy." One way in which this
simultaneity manifests itself is that the conventions novels
frequently use to represent characters' dreams, daydreams, and
fantasies overlap with those each novel uses to create its realist
effects. In new readings of Victorian novels (including Eliot's
Adam Bede, Dickens's Oliver Twist, Hardy's The Mayor of
Casterbridge and The Return of the Native, Trollope's Orley Farm,
and Wilkie Collins's Armadale), The Victorian Novel Dreams of the
Real demonstrates that one of the signal effects of this
overlapping is Victorian realism's construction of the real as an
object of readerly desire. Jaffe shows that realism and fantasy in
the Victorian realist novel are not opposed, but rather occupy the
same space and are shaped by the same conventions. Revisiting and
reconsidering key elements of realist novel theory (including
metonymy; the insignificant detail; character interiority; the
representation of everyday life and the idea of disillusionment),
The Victorian Novel Dreams of the Real also uncovers and anatomizes
representational strategies unique to each text.
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