Shakespeare's plays investigate the implications of using the
mimetic process - a process that invents by redefining personal and
collective identities and re-establishing mythic representation,
references, and allusions. This book focuses on Shakespeare's
understanding that the creative repositioning of the point of
origin to restructure existing devastation and to create an ideal
world also give birth to destructive impulses. His dramas suggest
that this regressive moment is formulated from associations,
economic factors, family relationships, political factors, personal
philosophies and affiliations, and then are supplied structurally,
linguistically, artistically, psychologically, culturally,
politically, socially, and economically.
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