The COVID-19 pandemic has reorganized existing methods of exchange,
turning comparatively marginal technologies into the new normal.
Multipoint videoconferencing in particular has become a favored
means for web-based forms of remote communication and collaboration
without physical copresence. Taking the recent mainstreaming of
videoconferencing as its point of departure, this anthology
examines the complex mediality of this new form of social
interaction. Connecting theoretical reflection with material case
studies, the contributors question practices, politics and
aesthetics of videoconferencing and the specific meanings it
acquires in different historical, cultural and social contexts.
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