Refuting the assumption that art is a representational practice,
Bolt's striking argument engages with the work of Heidegger,
Deleuze and Guattari, C.S.Peirce and Judith Butler to argue for a
performative relationship between art and artist. Drawing on themes
as diverse as the work of Cezanne and of Francis Bacon, the
transubstantiation of the Catholic sacrament and Wilde's novel "The
Picture of Dorian Gray," she challenges the metaphor of light as
enlightenment, reconceiving this revealing light as the blinding
glare of the Australian sun, and suggests that too much light may
in fact reveal nothing. Finally she asks: how does an embodied
practice fare within the culture of conceptual art?
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