The noted British literary scholar turns her attention to the
rarely examined topic of narrative in the plays and offers some new
insight into the playwright's craft. Shakespeare makes narrative
theatrical and it is as prominent in his craft and language as
characterization and imagery. Hardy analyzes key structures,
including reflexive narrative and the narrative compoundings used
to begin and end plays. She also examines narrative subtleties in
the works of Plutarch, Holinshed, Brooke, and Sidney that
Shakespeare read. Finally, she explores common narrative techniques
-- memory, forecast, and gendered story -- and extensively analyzes
these issues in three plays: Hamlet, King Lear, and Macbeth.
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