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Exploiting Images and Image Collections in the New Media - Gold Mine or Legal Minefield? (Paperback, Annotated Ed)
Loot Price: R7,824
Discovery Miles 78 240
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Exploiting Images and Image Collections in the New Media - Gold Mine or Legal Minefield? (Paperback, Annotated Ed)
Series: International Bar Association Series Set
Expected to ship within 10 - 15 working days
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This book takes as its primary focus the copyright and other
intellectual property issues which arise out of the commercial
exploitation and digitization of images. The digital revolution is
taking software companies, educational institutions, museums, and
motion picture and photo archives into uncharted legal and
technological terrain. In particular, the nature of digital images
makes more evident the legal, ethical and practical problems that
are as yet unresolved in the print media. New information
technologies have pushed to the forefront the use of images for
commercial products as software companies search to acquire rights
to scan photographs or paintings in libraries, photo and film
archives and museum collections worldwide. At the same time museums
and archives using multimedia to open up their collections to the
public recognise that they hold financial assets capable of
commercial exploitation. Fourteen articles written by prominent
intellectual property lawyers and government officials discuss
legal, policy and practical issues in the protection and commercial
exploitation of images and image collections. The essays present
the views of various industries and governments, and provide
national perspectives from Argentina, France, Germany, India,
Japan, Malaysia, the United States and the United Kingdom, as well
as a discussion of efforts at international harmonisation. The book
includes a useful collection of original source material and sample
forms in appendix, including an annotated CD-ROM Licensing
Agreement. The text should provide a valuable resource for
intellectual property and media lawyers, executives in the
entertainment industry and new technology companies, museum
directors, policy makers and regulators.
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