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The Image of the Poet in Ovid's Metamorphoses (Hardcover)
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The Image of the Poet in Ovid's Metamorphoses (Hardcover)
Series: Wisconsin Studies in Classics
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Barbara Pavlock unmasks major figures in Ovid's ""Metamorphoses""
as surrogates for his narrative persona, highlighting the
conflicted revisionist nature of the ""Metamorphoses"". Although
Ovid ostensibly validates traditional customs and institutions,
instability is in fact a defining feature of both the core epic
values and his own poetics. ""The Image of the Poet"" explores
issues central to Ovid's poetics - the status of the image, the
generation of plots, repetition, opposition between refined and
inflated epic style, the reliability of the narrative voice, and
the interrelation of rhetoric and poetry. The work explores the
constructed author and complements recent criticism focusing on the
reader in the text. Ovid's simultaneous play to and rebellion
against epic tradition makes Narcissus both an idealized elegiac
image through allusions to the poet's own mistress in the Amores
and an elegiac poet fixated on his own image. Through Narcissus'
demise, Ovid reflects the instability of visual images. In
""Orpheus' story of Venus and Adonis"", an undercurrent of desire
in Venus' inset tale reveals a problematic self-involvement. The
self-referential nature of Orpheus' song then raises questions
about his reliability as narrator, a theme that culminates in
Ulysses' contest with Ajax. Here Ovid undercuts heroic views about
lineage and valor, but also highlights the many clever strategies
by which Ulysses elevates himself over his rival, undermining
Homer's ""Illiad"" and ""Odyssey"". Ovid questions the authority of
the narrator but also provides the means for understanding the
problems at the core of his epic. Thus, in his time and ours, the
reader ultimately emerges better equipped to assess inherited
traditions in literary, social, and political spheres.
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