From 1989 to 1991, Barry Dornfeld had an unusual double role on
the crew of the major PBS documentary series "Childhood." As a
researcher for the series, he investigated the relationship between
children and media. As an anthropologist, however, his subject was
the television production process itself--examining, for example,
how producers developed the series, negotiated with their academic
advisors, and shaped footage shot around the world into seven
programs. He presents the results of his fieldwork in this
groundbreaking study--one of the first to take an ethnographic
approach to the production of a television show, as opposed to its
reception.
Dornfeld begins with a broad discussion of public television's
role in American culture and goes on to examine documentaries as a
form of popular anthropology. Drawing on his observations of
"Childhood," he considers the documentary form as a kind of
"imagining," in which both producers and viewers construct
understandings of themselves and others, revealing their
conceptions of culture and history and their ideologies of cultural
difference and universality. He argues that producers of culture
should also be understood as consumers who conduct their work
through an active envisioning of the audience. Dornfeld explores as
well how intellectual media professionals struggle with the
institutional and cultural forces surrounding television that
promote entertainment at the expense of education. The book
provides a rare glimpse behind the scenes of a major documentary
and demonstrates the value of an ethnographic approach to the study
of media production.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!