A combination dictionary and annotated discography, videography
and bibliography, this sourcebook brings together listings of
materials on the Rastafarian movement and reggae music. . . . This
sourcebook serves as a good introduction to Rastafari and reggae.
"Reference Books Bulletin"
Coinciding with the sixtieth anniversary of Rastafari, this
reference book traces the relationship between two intertwined
aspects of Jamaican culture: Rastafari and reggae music. As
important voices in the ongoing dialogue concerning Jamaica's
search for a national identity, Rastafari and reggae have had a
significant impact on international music and culture. This work is
the first to document and describe these areas for researchers,
providing a comprehensive dictionary of terms, people, places, and
concepts relevant to Rastafari, reggae music, and their related
histories. In a unique collaboration from the American and Jamaican
perspectives, Mulvaney and Nelson have supplied annotated
references and cross references for written materials, audio
recordings, videocassettes, and films that cover the first sixty
years of Rastafari and over twenty years of reggae music.
The book is comprised of four main sections. The dictionary
serves as the focal point for the cross referencing of the entire
book and offers entries that are either directly related to
Rastafari and reggae or provide a historical context. The
discography, which includes 200 entries, represents a cross section
of reggae music from 1968 to 1990 and is organized by musician or
band name. A small, representative sample of documentary, concert,
and narrative fiction videocassettes that address aspects of
Rastafari or reggae music are catalogued in the videography, along
with selected films. Finally, the bibliography, prepared by Carlos
I.H. Nelson, provides a thorough overview of journal and magazine
articles, creative works, dissertations, books, interviews, parts
of books, reviews, and theses written by and about Rastafarians and
reggae musicians. It covers the past importance, present
significance, and future legacies of the movement and the music.
The work also includes two appendices that list relevant
periodicals and representative musicians and bands. Music students
and researchers will find Rastafari and Reggae to be a valuable
reference source, as will students in Caribbean and cultural
studies, communication, history, and anthropology courses. For
academic, public, and music library collections, the book will be
an important addition.
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