At the centre of John Miltona (TM)s epic poem Paradise Lost (1667)
is a radical commitment to divine and human freedom. This study
situates Paradise Lost within the context of post-Reformation
theological controversy, and pursues the theological portrayal of
freedom as it unfolds throughout the poem. The study identifies and
explores the ways in which Milton is both continuous and
discontinuous with the major post-Reformation traditions in his
depiction of predestination, creation, free will, sin, and
conversion. Miltona (TM)s deep commitment to freedom is shown to
underlie his appropriation and creative transformation of a wide
range of existing theological concepts.
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