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The Invisibilities of Political Torture - The Presence of Absence in Us and Chilean Cinema and Television (Paperback)
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The Invisibilities of Political Torture - The Presence of Absence in Us and Chilean Cinema and Television (Paperback)
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Examines the ways in which moving images can help us better
understand factual political torture Examines role of images and
film in (mis)understanding of torture Offers synergised knowledge
through comparative angle, exploring differences and continuities
of torture cases which were documented to vastly different extents
Includes key popular movies, independent films as well as serial
television Combines serious film analysis with ethical-political
questions and historically and theoretically informed research
Expands on the latest developments of comparative media
scholarship, and integrates the nostalgic, material and affective
"turn." Academic work on the subject of torture tends to mirror
public debates on its presumed utility, to focus on its
historically 'correct' representation or on profilmic structures of
identification. This book moves beyond these ideologically charged
questions to explore how contemporary films have responded to a
growing popular distrust in visual evidence when referencing
factual cases of torture. Two cases studies - the United States
around 2004 and Chile from 1973 until the end of the dictatorship -
provide either an abundance or lack of such visual evidence.
Drawing on films and television series such as Zero Dark Thirty
(2012), NO (2012), Homeland (2011-) and Los 80 (2008-14), amongst
many others, this book analyses the visible components of torture
but also its invisibilities. By casting a wider net on the
definition of torture, the author promotes a radical, theoretical
reframing of our concept of torture and suggests that audiovisual
products can help broaden our comprehension of torture as an event
which includes collective and emotional dimensions and long-term
social effects.
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