In recent years, Italian cinema has experienced a quiet
revolution: the proliferation of films by women. But their
thought-provoking work has not yet received the attention it
deserves. "Reframing Italy "fills this gap. The book introduces
readers to films and documentaries by recognized women directors
such as Cristina Comencini, Wilma Labate, Alina Marazzi, Antonietta
De Lillo, Marina Spada, and Francesca Comencini, as well as to
filmmakers whose work has so far been undeservedly ignored.
Through a thematically based analysis supported by case studies,
Luciano and Scarparo argue that Italian women filmmakers, while not
overtly feminist, are producing work that increasingly foregrounds
female subjectivity from a variety of social, political, and
cultural positions. This book, with its accompanying video
interviews, explores the filmmakers' challenging relationship with
a highly patriarchal cinema industry. The incisive readings of
individual films demonstrate how women's rich cinematic production
reframes the aesthetic of their cinematic fathers, re-positions
relationships between mothers and daughters, functions as a space
for remembering women's (hi)stories, and highlights pressing social
issues such as immigration and workplace discrimination.
This original and timely study makes an invaluable contribution
to film studies and to the study of gender and culture in the early
twenty-first century.
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