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Protectors and Predators - Gods of Medieval Japan Volume 2 (Paperback)
Loot Price: R1,960
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Protectors and Predators - Gods of Medieval Japan Volume 2 (Paperback)
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Written by one of the leading scholars of Japanese religion,
Protectors and Predators is the second installment of a multivolume
project that promises to be a milestone in our understanding of the
mythico-ritual system of esoteric Buddhism—specifically the
nature and roles of deities in the religious world of medieval
Japan and beyond. Bernard Faure introduces readers to medieval
Japanese religiosity and shows the centrality of the gods in
religious discourse and ritual. Throughout he engages theoretical
insights drawn from structuralism, post-structuralism, and
Actor-Network Theory to retrieve the “implicit pantheon” (as
opposed to the “explicit orthodox pantheon”) of esoteric
Japanese Buddhism (Mikky?). His work is particularly significant
given its focus on the deities’ multiple and shifting
representations, overlappings, and modes of actions rather than on
individual characters and functions. In Protectors and Predators
Faure argues that the “wild” gods of Japan were at the center
of the medieval religious landscape and came together in complex
webs of association not divisible into the categories of
“Buddhist,” “indigenous,” or “Shinto.” Furthermore,
among the most important medieval gods, certain ones had roots in
Hinduism, others in Daoism and Yin-Yang thought. He displays vast
knowledge of his subject and presents his research—much of it in
largely unstudied material—with theoretical sophistication. His
arguments and analyses assume the centrality of the iconographic
record as a complement to the textual record, and so he has brought
together a rich and rare collection of more than 170 color and
black-and-white images. This emphasis on iconography and the ways
in which it complements, supplements, or deconstructs textual
orthodoxy is critical to a fuller comprehension of a set of
medieval Japanese beliefs and practices and offers a corrective to
the traditional division of the field into religious studies, which
typically ignores the images, and art history, which oftentimes
overlooks their ritual and religious meaning. Protectors and
Predators and its companion volumes should persuade readers that
the gods constituted a central part of medieval Japanese religion
and that the latter cannot be reduced to a simplistic
confrontation, parallelism, or complementarity between some
monolithic teachings known as “Buddhism” and “Shinto.” Once
these reductionist labels and categories are discarded, a new and
fascinating religious landscape begins to unfold.
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