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Hollywood Exile, or How I Learned to Love the Blacklist (Paperback, New Ed)
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Hollywood Exile, or How I Learned to Love the Blacklist (Paperback, New Ed)
Series: Texas Film and Media Studies Series
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"Bernard Gordon was the writer behind some of my favorite movies
(but I never knew it). Now, he tells his most riveting story--that
of his own colorful career. . . . Fascinating!" --Joe Dante,
director "As a blacklisted screenwriter, Bernard Gordon was never
completely silenced, but it is still thrilling to hear him have his
say in a memoir of Hollywood's darkest era. . . . Gordon's story is
a testament to the everlasting vitality of creativity in the face
of scare tactics and coercion." --Kirkus Reviews "Gordon's book is
. . . a remarkable story of how he not only survived, but lived a
high life in Europe as a much-in-demand writer--although denied
recognition [for] his craft--until 50 years later by both
[writers'] guilds and the Academy." --Variety "His portraits of the
brilliant Philip Yordan and Samuel Bronston, the producer-financier
duo that virtually created the 'runaway' (offshore) production
game, are unforgettable, as are his accounts of making, among a
dozen other films, 55 Days at Peking, The Thin Red Line, Krakatoa
East of Java, Day of the Triffids, Earth vs. The Flying Saucers and
Horror Express. . . . His adventures as a writer and producer
sparkle in this generous, well-illustrated account." --Foreword "A
born storyteller, [Gordon] writes with warmth and humor, and
there's an emotional edge to his razor-sharp recall." --Publishers
Weekly The Hollywood blacklist, which began in the late 1940s and
ran well into the 1960s, ended or curtailed the careers of hundreds
of people accused of having ties to the Communist Party. Bernard
Gordon was one of them. In this highly readable memoir, he tells a
engrossing insider's story of what it was like to be blacklisted
and how he andothers continued to work uncredited behind the
scenes, writing and producing many box office hits of the era.
Gordon describes how the blacklist cut short his screenwriting
career in Hollywood and forced him to work in Europe. Ironically,
though, his is a success story that includes the films El Cid, 55
Days at Peking, The Thin Red Line, Krakatoa East of Java, Day of
the Triffids, Earth vs. the Flying Saucers, Horror Express, and
many others. He recounts the making of many movies for which he was
the writer and/or producer, with wonderful anecdotes about stars
such as Charlton Heston, David Niven, Sophia Loren, Ava Gardner,
and James Mason; directors Nicholas Ray, Frank Capra, and Anthony
Mann; and the producer-studio head team of Philip Yordan and Samuel
Bronston.
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