This book examines the treatment of space and narrative in a
selection of classic films including "My Darling Clementine," "It's
a Wonderful Life," and "Vertigo." Deborah Thomas employs a variety
of arguments in exploring the reading of space and its meaning in
Hollywood cinema and film generally. Topics covered include the
importance of space in defining genre (such as the necessity of an
urban landscape for a gangster film to be a gangster film); the
ambiguity of offscreen space and spectatorship (how an audience
reads an unseen but inferred setting), and the use of spatially
disruptive cinematic techniques such as flashback to construct
meaning.
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