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Clara Schumann - An Artist's Life Based On Material Found In Diaries And Letters - Vol I (Hardcover, Abridged Ed)
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Clara Schumann - An Artist's Life Based On Material Found In Diaries And Letters - Vol I (Hardcover, Abridged Ed)
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CLARA SCHUMANN AN ARTIST'S LIFE BASED ON MATERIAL FOUND IN DIARIES
AND LETTERS by BY BERTHOLD LITZMANN. Originally published in 1913.
TRANSLATOR'S PREFACE: The task of translation can never be a light
one, since every language has not only its own peculiar shades of
meaning, but also its own peculiar charm a fragrance which
evaporates as soon as the national frontier is crossed. This is
especially true of the German of Robert Schumann. His delicate,
poetic imagination found perfect expression in the language of his
hero, Jean Paul, and the endeavour to render his love letters, and
still more his poems, in another tongue is foredoomed to failure;
the original words alone fitly express the poet's thought In the
following pages an attempt has been made to give as far as possible
the spirit of the German, but only a poet could hope for success in
such an enterprise, and I am conscious of many shortcomings. It is
with great pleasure and the warmest gratitude that I acknowledge my
indebtedness to Miss BL C. Deneke and to Miss Eugenie Schumann, ,
both of whom read through the manuscript and gave me much valuable
advice and criticism. Miss Schumann went through the translation
word by word, and to her never wearying patience and consideration
is due whatever in it there may be of good. It was unfortunately
found necessary to turn the original three volumes into two in the
English edition, and by so doing the balance of the whole had
necessarily to be re adjusted. Prof. Litzmann in his prefaces
explains the principle which underlies the whole work. I have
endeavoured to interfere as little as possible with his method,
though some Translator's Preface. slight changes were necessary in
order toavoid any abrupt break between the volumes, vol. ii of the
German edition being divided between the two volumes of the English
edition. It is with sincere apologies and deep regret that I have
ventured to make what omissions were called for by reason of space,
and I have to tender my thanks to Prof. Litzmann for his courtesy
in permitting such changes. Cirencester 1912. Grace E. Hadow,
PREFACE: The reproach is commonly brought against musical bio
graphies that they are monotonous: and indeed the life of the
musician has not often afforded much scope for incident or variety.
If he be a composer he treads the accustomed course of early
struggles, hard-earned victories and posthumous fame: if he be a
virtuoso his career is one triumphal progress which leaves little
to record except the successive trophies that he has planted and
the successive laurels that he has won. The concentration required
by his art removes him in some degree from the stir and stress of
public events: for the most part he dwells in an ideal city of his
own and breathes the more freely when he has shut its gates upon
the world. To this it may be added that the biographers of our
great musicians have too often tended to merge the historian in the
advocate. They are full of a generous enthusiasm for their subject;
they are anxious above all things to present it in an attractive
light; but they sometimes neglect Cromwell's advice to Sir Peter
Lely and spoil their portrait by giving it a classic regularity of
feature. No doubt every biographer is something of a partisan; it
is no use writing a man's life unless you think well of him: but
the worst of all ways to arouse interest in your hero is to
represent him on afaultless pala din and to treat as a paynim and a
miscreant everyone who ever offered him the least opposition. No
man can build the monument of departed greatness if he is using up
all the stones to pelt his adversaries. ...
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