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Maya Deren and the American Avant-Garde (Paperback, Deas On Art, Form, A Ed.)
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Maya Deren and the American Avant-Garde (Paperback, Deas On Art, Form, A Ed.)
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Regarded as one of the founders of the postwar American independent
cinema, the legendary Maya Deren was a poet, photographer,
ethnographer, filmmaker and impresario. Her efforts to promote an
independent cinema have inspired filmmakers for over fifty years.
"Meshes of the Afternoon" (1943) ranks among the most widely viewed
of all avant-garde films. The eleven essays gathered here examine
Maya Deren's writings, films, and legacy from a variety of
intriguing perspectives. Some address her relative neglect during
the rise of feminist film theory; all argue for her enduring
significance. The essays cast light on her aesthetics and ethics,
her exploration of film form and of other cultures, her role as
(woman) artist and as film theorist. "Maya Deren and the American
Avant-Garde" also includes one of the most significant reflections
on the nature of art and the responsibilities of the filmmaker ever
written--Deren's influential but long out-of-print book, "An
Anagram of Ideas on Art, Form and Film, " in its entirety.
Among the topics covered in this volume are Deren's ties with the
avant-garde of her day and its predecessors; her perspective on
vodoun ritual, possession ceremonies, and social harmony; her work
in relation to the modern dance tradition and its racial
inflections; her thoughts, written in the shadow of Hiroshima and
Nagasaki, about science, including how form can embody moral
principles; the complex issue of the "woman artist" in an
avant-garde dominated by men; her famous dispute with Anais Nin;
and an exploration of issues of identification and desire in her
major films.
As the first critical evaluation of the enduring significance of
Maya Deren, this book clarifies the filmmaker's theoretical and
cinematic achievements and conveys the passionate sense of moral
purpose she felt about her art. It is a long-overdue tribute to one
of the most important and least written about filmmakers in
American cinema, an artist who formulated the terms and conditions
of independent cinema that remain with us today.
General
Imprint: |
University of California Press
|
Country of origin: |
United States |
Release date: |
October 2001 |
First published: |
October 2001 |
Editors: |
Bill Nichols
|
Dimensions: |
229 x 152 x 23mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
346 |
Edition: |
Deas On Art, Form, A Ed. |
ISBN-13: |
978-0-520-22732-3 |
Categories: |
Books >
Language & Literature >
Biography & autobiography >
Film, television, music, theatre
Books >
Arts & Architecture >
Performing arts >
Films, cinema >
Individual film directors, film-makers
Books >
Biography >
Film, television, music, theatre
|
LSN: |
0-520-22732-8 |
Barcode: |
9780520227323 |
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