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Widows, Pariahs, and Bayaderes - India as Spectacle (Hardcover)
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Widows, Pariahs, and Bayaderes - India as Spectacle (Hardcover)
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Land of spirituality, or land of widow burning? Land of fabulous
wealth, or land of dire poverty, the caste system, and
untouchability? Western literature has reflected stereotypical and
contradictory images of India since antiquity. For centuries,
French writers have reproduced images of India such as the widow
immolating herself according to the custom of sati, the pariah or
untouchable, and the bayadere or temple dancer, in various forms of
theatrical representations - tragedies, ballets, operas, and
exhibits in world's fairs. The examination of such recurrent images
of India in four French plays and one ballet written from the
eighteenth through the twentieth century demonstrates how these
dramatic representations intervene politically in French society as
well as further the aesthetic agendas of the dramatists themselves.
India becomes a spectacle, both literally and figuratively, on the
French stage. Raising questions of Orientalism, the book argues
that it was precisely because the French lost their Indian colonies
to the British in the eighteenth century that India became part of
the French literary imagination.
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