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Savages and Saints - The Changing Image of American Indians in Westerns (Paperback)
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Savages and Saints - The Changing Image of American Indians in Westerns (Paperback)
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The history of American Indians on screen, like the history of any
other ethnicity portrayed in a Hollywood film, can be compared to a
light shining through a prism. We may have seen bits and pieces of
the genuine culture portrayed, but rarely did we see a satisfying
and informative whole picture. In films like Cecil B. DeMille's The
Plainsman, the Indian was a murderous savage with few, if any,
redeeming qualities. By the time of Delmer Daves' Broken Arrow and
other westerns like it, the portrait of the Indians became that of
a misunderstood people who only wanted peace. In the wake of Kevin
Costner's Oscar-winning Dances with Wolves, filmmakers would
basically continue this trend into the 1990s and beyond, forever
destroying the picture of the Indian as a murderous savage but
unfortunately going to the other extreme. This book deals with the
changing image of the American Indian in the Western film genre,
contrasting the fictionalized images of native Americans portrayed
in classic films from Francis Boggs' Curse of the Redman to Michael
Mann's Last of the Mohicans against the historical reality of life
on the American frontier. The book tells the stories of frontier
warriors, Indian and white, revealing how their stories were often
drastically altered on screen according to the times the films were
made, the stars involved in the film's production, and the
social/political beliefs of the filmmakers. The book also uses
studio correspondence, letters from government files, and passages
from western novels adapted for the screen, to illustrate the
various points of view of the authors who had a direct hand in
shaping the Hollywood image of the American Indian. The book
features 84 photographs, an index, and a bibliography of more than
100 sources.
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