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Female Authorship and the Documentary Image - Theory, Practice and Aesthetics (Paperback)
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Female Authorship and the Documentary Image - Theory, Practice and Aesthetics (Paperback)
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This book, like its twin volume Female Authorship and Documentary
Strategies, centres on pressing issues in relation to female
authorship in contemporary documentary practices. Addressing the
politics of representation and authorship both behind and in front
of the camera, a range of international scholars now expand the
theoretical and practical framework informing the current
scholarship on documentary cinema, which has so far neglected
questions of gender. Female Authorship and the Documentary Image
engages with the relationship between female documentary filmmakers
and the documentary image. With a thematic focus on the documentary
image directly, within the more traditional arenas of theory and
practice and especially within the context of gaze and author
theory, the book also considers more philosophical questions of
aesthetics, home and identity within the contexts of female
subjectivity, globalisation and trauma. The book also includes a
dialogue on two key photographers, Hannah Wilke and Jo Spence, as
well as an interview with Taiwanese documentary filmmakers Singing
Chen and Wuna Wu.
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