Artists who work with new media generally adopt a critical media
approach in contrast to artists who work with traditional art
media. Where does the difference lie between media artists and
artists who produce modern art? Which key art objects illustrate
this trend? The author investigates the relationship between art
and technology on the basis of work produced by Edward Ihnatowicz
and Harald Cohen, and on the basis of the pioneering computer art
exhibition at Dokumenta X in 1997. His line of argument counters
the generally held view that computer art straddles the gap between
art and technology. Instead, he is seeking a genuine interpretation
of the origin of media art, and to develop new perspectives for it.
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