In this probing exploration of what it means to be deaf, Brenda
Brueggemann goes beyond any simple notion of identity politics to
explore the very nature of identity itself. Looking at a variety of
cultural texts, she brings her fascination with borders and
between-places to expose and enrich our understanding of how
deafness embodies itself in the world, in the visual, and in
language.
Taking on the creation of the modern deaf subject, Brueggemann
ranges from the intersections of gender and deafness in the work of
photographers Mary and Frances Allen at the turn of the last
century, to the state of the field of Deaf Studies at the beginning
of our new century. She explores the power and potential of
American Sign Language--wedged, as she sees it, between
letter-bound language and visual ways of learning--and argues for a
rhetorical approach and digital future for ASL literature.
The narration of deaf lives through writing becomes a pivot
around which to imagine how digital media and documentary can be
used to convey deaf life stories. Finally, she expands our notion
of diversity within the deaf identity itself, takes on the complex
relationship between deaf and hearing people, and offers compelling
illustrations of the intertwined, and sometimes knotted, nature of
individual and collective identities within Deaf culture.
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