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Roman Artists, Patrons, and Public Consumption - Familiar Works Reconsidered (Hardcover)
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Roman Artists, Patrons, and Public Consumption - Familiar Works Reconsidered (Hardcover)
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In recent decades, the study of Roman art has shifted focus
dramatically from issues of connoisseurship, typology, and
chronology to analyses of objects within their contemporary
contexts and local environments. Scholars challenge the notion,
formerly taken for granted, that extant historical texts—the
writings of Vitruvius, for example—can directly inform the study
of architectural remains. Roman-era statues, paintings, and mosaics
are no longer dismissed as perfunctory replicas of lost Greek
or Hellenistic originals; they are worthy of study in their
own right. Further, the scope of what constitutes Roman art has
expanded to include the vast spectrum of objects used in civic,
religious, funerary, and domestic contexts and from communities
across the Roman Empire. The work gathered in Roman Artists,
Patrons, and Public Consumption displays the breadth and
depth of scholarship in the field made possible by these
fundamental changes. The first five essays approach individual
objects and artistic tropes, as well as their cultural contexts and
functions, from fresh and dynamic angles. The latter essays focus
on case studies in Pompeii, demonstrating how close visual analysis
firmly rooted in local and temporal contexts not only strengthens
understanding of ancient interactions with monuments but also
sparks a reconsideration of long-held assumptions reinforced by
earlier scholarship. These rigorous essays reflect and honor the
groundbreaking scholarship of Elaine K. Gazda. In addition to
volume editors Brenda Longfellow and Ellen E. Perry, contributors
include Bettina Bergmann, Elise Friedland, Barbara Kellum, Diana Y.
Ng, Jessica Powers, Melanie Grunow Sobocinski, Lea M. Stirling,
Molly Swetnam-Burland, Elizabeth Wolfram Thill, and Jennifer
Trimble.
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