Wordsworth's process of revision, his organization of poetic
volumes and his supplementary writings are often seen as distinct
from his poetic composition. Bates asserts that an analysis of
these supplementary writings and paratexts are necessary to a full
understanding of Wordsworth's poetry. He examines Wordsworth's
career between 1800 and 1820 to reveal how supplementary prose,
promotion and parody were intertwined with debates on the creation
of reading publics, the role of the press and the enduring literary
character of England.
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